In his book The City is our Factory (2010) he writes: “The process of urbanisation begins in the very moment when groups of humans start to sort and agglomerate things. Because the city is not only defined by density – but above all by the accumulation of differences. – […] Heaps transform into mountains, Uçhisar in Cappadocia, a hollowed mountain inhabited for the past 6,500 years, excavations in Ur, making land arable, urbanity, prehistory (ur-history), origin (or ur-igin), leap, hairy being, Assur: five house models, formed from clay.” (p. 290)
In his drawings, Schäfer manages to cover a wide range, from the beginnings of human habitation to contemporary urbanistic analyses and criticism of the gentrification policies of today’s “image” cities. His style enables him to present his stories and theories concisely, giving the viewer a completely new perspective on historical developments and the ways in which the present-day city is constituted.
The title of the exhibition, Lamentation for Ur, refers to the dirges handed down through history, in which the Babylonians mourn the destruction of some of their cities.