This course, part history, part practical, will explore big questions raised by media art – a term usually used to describe software art or electronic practices. However, we expand this definition to all distributive media: radio, television, CCTV, electricity, the Internet and other "networks". These media are particularly promising in that they continue to challenge and change what art can be. The class will look back at moments of such promise, of utopian potentials in technology, where artists tinkered, hacked, intervened and assembled art that could powerfully imagine and realise ambitious, "real-world" projects.
We will also take a practical look at the properties of certain media, such as radio, television, video, Internet, that suggest what kind of art can be made with them.
The focus will be on process, reception, sensuality, and the role of technology. Interested participants should see themselves as artists who work outside of studios.
Assistant: Bernadette Anzengruber