| « With Full Speed Ahead to the Future | Torn and stained, yet beautiful – A different kind of photography » |
So what they did after selecting the paintings and researching about their background was asking several artists from all over the world to create an "answer" to the original. The reason why they didn't choose only bolivian artists but international ones was explained in a very clear way.
"Principio Potosì" stands not only for the city itself but also for the industrial working processes happening there. People were brought from the Philippines to work in the mines and the coins which were produced and embossed in Potosì were probably spread worldwide - as they were found on nearly every coast in the world. So Creischer and Siekmann define Potosì as one of the first capitalistic- and global-economic system we know about.
In the end Alice Creischer and Andreas Siekmann gave a very clear insight into to work as a curator and as they themselfs seemed so enthusiastic about Principio Potosì that a travel to Berlin in October (thats where the exhibition is going next) seems really worth it.
For more information visit: http://www.luzart.ch/ausstellungen/dem-principio-potosi-auf-der-spur.html